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many scholars, essayists, and journalists whose work I draw on in What Tech Calls Thinking. For a full list of the sources I’ve referenced, visit adriandaub.com/#what-tech.

Also by Adrian Daub

The James Bond Songs: Pop Anthems of Late Capitalism (coauthor)

Four-Handed Monsters: Four-Hand Piano Playing and Nineteenth-Century Culture

Tristan’s Shadow: Sexuality and the Total Work of Art After Wagner

Uncivil Unions: The Metaphysics of Marriage in German Idealism and Romanticism

A Note About the Author

Adrian Daub is a professor of comparative literature and German studies at Stanford University and the director of Stanford’s Michelle R. Clayman Institute for Gender Research, and he is the author of several books. His research focuses on the intersection of literature, music, and philosophy in the nineteenth century. His writing has appeared in The Guardian, The New Republic, n+1, Longreads, and the Los Angeles Review of Books. He lives in San Francisco. You can sign up for email updates here.

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Contents

Title Page

Introduction

1. Dropping Out

2. Content

3. Genius

4. Communication

5. Desire

6. Disruption

7. Failure

Acknowledgments

Also by Adrian Daub

A Note About the Author

FSG Originals × Logic

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First edition, 2020

E-book ISBN: 978-0-374-72123-7

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