the southwest corner of the Place de la Bastille, near the basin of the canal, excavated in the ancient ditch of the fortress-prison, a singular monument, which has already been effaced from the memories of Parisians, and which deserved to leave some trace, for it was the idea of a “member of the Institute, the General-in-chief of the army of Egypt.”

We say monument, although it was only a rough model. But this model itself, a marvellous sketch, the grandiose skeleton of an idea of Napoleon’s, which successive gusts of wind have carried away and thrown, on each occasion, still further from us, had become historical and had acquired a certain definiteness which contrasted with its provisional aspect. It was an elephant forty feet high, constructed of timber and masonry, bearing on its back a tower which resembled a house, formerly painted green by some dauber, and now painted black by heaven, the wind, and time. In this deserted and unprotected corner of the place, the broad brow of the colossus, his trunk, his tusks, his tower, his enormous crupper, his four feet, like columns produced, at night, under the starry heavens, a surprising and terrible form. It was a sort of symbol of popular force. It was sombre, mysterious, and immense. It was some mighty, visible phantom, one knew not what, standing erect beside the invisible spectre of the Bastille.

Few strangers visited this edifice, no passerby looked at it. It was falling into ruins; every season the plaster which detached itself from its sides formed hideous wounds upon it. “The aediles,” as the expression ran in elegant dialect, had forgotten it ever since 1814. There it stood in its corner, melancholy, sick, crumbling, surrounded by a rotten palisade, soiled continually by drunken coachmen; cracks meandered athwart its belly, a lath projected from its tail, tall grass flourished between its legs; and, as the level of the place had been rising all around it for a space of thirty years, by that slow and continuous movement which insensibly elevates the soil of large towns, it stood in a hollow, and it looked as though the ground were giving way beneath it. It was unclean, despised, repulsive, and superb, ugly in the eyes of the bourgeois, melancholy in the eyes of the thinker. There was something about it of the dirt which is on the point of being swept out, and something of the majesty which is on the point of being decapitated. As we have said, at night, its aspect changed. Night is the real element of everything that is dark. As soon as twilight descended, the old elephant became transfigured; he assumed a tranquil and redoubtable appearance in the formidable serenity of the shadows. Being of the past, he belonged to night; and obscurity was in keeping with his grandeur.

This rough, squat, heavy, hard, austere, almost misshapen, but assuredly majestic monument, stamped with a sort of magnificent and savage gravity, has disappeared, and left to reign in peace, a sort of gigantic stove, ornamented with its pipe, which has replaced the sombre fortress with its nine towers, very much as the bourgeoisie replaces the feudal classes. It is quite natural that a stove should be the symbol of an epoch in which a pot contains power. This epoch will pass away, people have already begun to understand that, if there can be force in a boiler, there can be no force except in the brain; in other words, that which leads and drags on the world, is not locomotives, but ideas. Harness locomotives to ideas⁠—that is well done; but do not mistake the horse for the rider.

At all events, to return to the Place de la Bastille, the architect of this elephant succeeded in making a grand thing out of plaster; the architect of the stove has succeeded in making a pretty thing out of bronze.

This stovepipe, which has been baptized by a sonorous name, and called the column of July, this monument of a revolution that miscarried, was still enveloped in 1832, in an immense shirt of woodwork, which we regret, for our part, and by a vast plank enclosure, which completed the task of isolating the elephant.

It was towards this corner of the place, dimly lighted by the reflection of a distant street lamp, that the gamin guided his two “brats.”

The reader must permit us to interrupt ourselves here and to remind him that we are dealing with simple reality, and that twenty years ago, the tribunals were called upon to judge, under the charge of vagabondage, and mutilation of a public monument, a child who had been caught asleep in this very elephant of the Bastille. This fact noted, we proceed.

On arriving in the vicinity of the colossus, Gavroche comprehended the effect which the infinitely great might produce on the infinitely small, and said:⁠—

“Don’t be scared, infants.”

Then he entered through a gap in the fence into the elephant’s enclosure and helped the young ones to clamber through the breach. The two children, somewhat frightened, followed Gavroche without uttering a word, and confided themselves to this little Providence in rags which had given them bread and had promised them a shelter.

There, extended along the fence, lay a ladder which by day served the laborers in the neighboring timber-yard. Gavroche raised it with remarkable vigor, and placed it against one of the elephant’s forelegs. Near the point where the ladder ended, a sort of black hole in the belly of the colossus could be distinguished.

Gavroche pointed out the ladder and the hole to his guests, and said to them:⁠—

“Climb up and go in.”

The two little boys exchanged terrified glances.

“You’re afraid, brats!” exclaimed Gavroche.

And he added:⁠—

“You shall see!”

He clasped the rough leg of the elephant, and in a twinkling, without deigning to make use of the ladder, he had reached the aperture. He entered it as an adder slips through a crevice, and disappeared within, and an instant later, the two children saw his head, which looked pale, appear vaguely,